Length 60 Minutes
Choreography Alvin Erasga Tolentino
Media Artists Carol Sawyer, Ken Gregory, Peter Courtemanche
Dancers Billy Marchenski, Molly McDermott, Jane Osborne, Bevin Poole, Alvin Erasga Tolentino
Shadow Machine is a multi-media performance created in celebration Co.ERASGA’s 10th anniversary. Featuring choreographic ensemble work by Alvin Erasga Tolentino in collaboration with acclaimed Vancouver media artists Carol Sawyer, Peter Courtemanche, and Winnipeg’s Ken Gregory. Shadow Machine pays homage to the history, people and labour of the City of Vancouver in its 125th year.
Shadow Machine is an interdisciplinary and collaborative work incorporating contemporary dance, video, audio, photography and interactive technologies. The shifting histories of Vancouver’s industrial development in the early 20th century inspired this creation and Co.ERASGA juxtaposes those ideas onto the post-industrial modern age. Shadow Machine seeks to engage audiences with a unique interpretation of Vancouver’s diverse and often hidden history.
Vancouver, in its short history, has undergone rapid growth and huge economic shifts. Shadow Machine examines and criticizes the utopian view of technological progress, yet simultaneously sees the potential for some dreams to come true.
At the heart of Shadow Machine are the workers, machinery, and people who have built Vancouver’s past and present. Focused on the labour that Vancouverites do, and the ways in which labour and technology shape our movements, bodies, and cultural identities, Shadow Machine imagines a unique hybrid between new media and dance. Shadow Machine partners movement with archival and thematic materials of the late industrial age, and the use of contemporary forms and technologies.
The artists engage shadows, projections, minimal lighting sources, new technologies and interactive audio-video systems. Together creating a series of eccentric “machines” through which both the performers and the audience can experience how technology transforms our landscapes and our bodies.